Some of Hollywood’s biggest stars aren’t the leading women and men you might think. These “celebrities” are larger than life, yet don’t demand top billing — they’re the transit systems that often play key roles in blockbuster films and TV hits.
How many times has a train station, subway car or crowded bus stop set the stage for a pivotal movie or TV show moment? What helps to make these scenes real is that, across the country, transit authorities in cities like Los Angeles, Chicago, New York, Boston and Philadelphia, are able to provide production companies with access to hundreds of actual stations, stops and vehicles — both new and vintage. Instead of attempting to recreate the “feel” of an urban subway on a sterile soundstage, production crews can work with transit organizations on location, most often for a fraction of what the cost to build a replica facility or outfit “authentic” vehicles would be.
Filming a scene from the movie SAFE, using a green screen at SEPTA's Fern Rock car shop.
In some cases, one system can serve as a “stand-in” for another. In the recently released action flick "Safe," the Southeastern Pennsylvania Transportation Authority’s (SEPTA ) Broad Street Line, with the help of some movie magic, portrays the New York City subway. This included using a “green screen” so that background footage could be added later in the production.
Scenes using the Broad Street Line were filmed at SEPTA’s Fern Rock shop over a two-week period in November 2010. Steve Cook, who was assistant director of maintenance at Fern Rock at the time of the shoot, was heavily involved in the planning process.
“One of the things [the crew] liked about the Fern Rock facility was the size of the open, covered space they had to work with inside the building,” said Cook. “Although the movie is set in New York, they also liked that the Broad Street cars have a similar body structure of those used in New York, which allowed them to film some scenes in New York and some while on location in Philadelphia.”
Filming a trolley scene for the FX hit TV show, “It’s Always Sunny in Philadelphia.”
"SAFE" isn’t the only recent on-camera cameo by SEPTA properties and vehicles. Philadelphia-area native Bradley Cooper filmed a sequence of his 2011 movie "Limitless" in a section of Walnut-Locust Station on the Broad Street Line and the cast of "It’s Always Sunny in Philadelphia" tried to catch a SEPTA trolley in a recent episode of the FX hit show. Even international productions — a Bollywood movie, Japanese TV show and Swedish game show — have selected SEPTA for their filming needs.
While some projects require days of shooting and others are just a few hours, all create national and international exposure for SEPTA and generate revenue for the agency through location and commercial filming vehicle charter fees. In the last year-and-a-half, SEPTA has earned almost $49,600 through movie and television contracts, which are arranged through the media relations department.
“It’s wonderful that more production companies are realizing that the Philadelphia region is a great place to film their movies and shows and SEPTA is thrilled to be able to offer our vehicles and facilities,” said GM Joe Casey. “The projects provide our staff with a fun way to showcase their work and talents outside of their everyday routines while bringing in money for the authority.”
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Read our METRO blog, "In the still of the night" here.
The Southeastern Pennsylvania Transportation Authority’s Regional (commuter) Rail system was inherited from the Pennsylvania and Reading Railroads and the infrastructure in many sections of the system has been serving the Philadelphia area for more than 100 years. Fifteen years ago, overhead catenary system (OCS) failures were a common occurrence on SEPTA Regional Rail, a result of fatigue cracks and wear. The all too common OCS failures were frustrating for SEPTA customers who occasionally found it difficult to depend on train service for their travels and for SEPTA, whose crews were constantly working to repair and maintain the system.
London is one of the grand cities of the world and in the midst of the cycling revolution. Led by the city’s transport organization – Transport for London, but supported by more fundamental changes in the city’s society, economy and perceptions of lifestyle and mobility, cycling is “on a roll”!
Tech-enabled ride-hailing services like Uber and Lyft already appear to be acting as a complement to public transit. Uber analyzed its Los Angeles trip data to in this light. Over the course of a month, Uber found that 22 percent of trips taken near Metro stations took place during rush hour (between 7 a.m. and 10 a.m. and 4 p.m. and 7 p.m. Monday through Friday). This data could be telling us that people are using Uber like they might use bikeshare, as a last-mile and first-mile connection to transit.
Driverless cars have been in the news for quite some time. Last September, I speculated in PC 360, an insurance trade magazine, that insurance premiums for autos could decrease by as much as 40% over the next five years as autonomous cars made travel much safer. I increased my estimate to a 75% decrease in insurance premiums by extending the timeline to 15 years. When I wrote those two articles, I remember thinking how much of a personal paradigm shift was needed to accept a driverless car as safe. Now, it appears that driverless buses are in the near future as well.
What do transit authorities like SEPTA, MBTA, MTA and BART have in common other than transporting thousands, even millions of riders every day? All were recently ranked as four of the U.S.’s 500 “Best Employers” by Forbes magazine.
SEPTA, MBTA, MTA and BART were among 25 organizations included in Forbes’ “Transportation & Logistics” category, along with Southwest Airlines, Amtrak, CSX, Union Pacific and Greyhound. In fact, SEPTA (#33) and MBTA (#49) placed higher than Apple (#55) and SEPTA was the highest ranked company in Pennsylvania.