Many APTA business members have no idea of the unusual significance of Michael Melaniphy being selected to be the president of the association. Why is it so gratifying to business members? One need only know the history of the many years business members struggled just to be allowed to be members of the public transit association.
In the early years, before the merger of the American Transit Association (ATA) and the Institute for Rapid Transit (IRT), which formed APTA in 1975, businesses were banned from being members. Manufacturers, consulting organizations and transit suppliers had to request permission to have a hospitality suite in the same location where the transit convention was being held and were even barred from participating or attending sessions.
The two associations were sensitive as to how their organizations appeared to the Urban Mass Transportation Administration providing federal funding support. The restriction was the associations’ way of maintaining purity as a public organization. They feared business-for-profit organizations within its membership would taint their standing as representing public agencies seeking funding from the federal government.
The ban on accepting business organizations and suppliers as members continued until after 1975. A short time later, businesses were accepted as dues- paying members with very limited participation and no role in the governing structure of the transit association.
During the time businesses were banned, members of various large supplier organizations formed a committee that met once a year for the purpose of donating and providing the association’s annual meeting banquets with popular top names in entertainment and live dance bands. Representatives from companies such as General Motors, Westinghouse, Motorola and American Seating, to name a few, would hold their ad hoc meeting in the winter months of the year.
Still, businesses were not permitted as dues-paying members to participate in APTA leadership or committees. The number of suppliers in the association began to grow and the committee on entertainment tried its best to enlarge the ad hoc committee in order to increase the level of donations for the entertainment activity of the association. Much time was spent by committee members to convince supplier companies to join APTA. It was more difficult to plead with new business members to join and support the entertainment committee.
In 1979, a business member by the name of Bob Graham, an owner of a transit supplier business, became chairman of the committee of business members. He convinced the committee to become formally established as an active and vital working group within APTA, with officers and bylaws as an official organization. Furthermore, the new organization sought recognition and acceptance within APTA as a full participating business member organization. Ideas were floated and attempts were made at that time to form a transit supplier association outside of APTA.
Going it alone was debated heatedly for several years. The board realized they were not an industry unto themselves but that public transportation was the industry they served and there was more to gain for business members to support APTA in their effort with congressional funding needs. Graham’s plan suggested a unified public and private approach to federal public transportation legislation would be of greater benefit to both groups. It was criticized as being wishful thinking on the part of suppliers to think APTA would consider allowing business members to share in its governance.
When Jack Gillstrap became president of APTA, the writer of this post and a representative of a Long Island aircraft manufacturer asked for a meeting with Gillstrap to broach the desire of the AMBG to come full participants in APTA’s governing structure. The plan called for representation on the APTA’s governing body, the Executive Committee and other committees. Gillstrap opened the door to opportunities for AMBG to be represented on the Executive Committee with two members. At the continual urging of business members for the next 20 years, more progress was made by expanding more opportunities for business members to engage in the governance of APTA with more representation.
Meanwhile, what was known as the AMBG adopted a new identity as the Business Members Board of Governors (BMBG). When Bill Millar became president of APTA, the BMBG became increasingly more recognized as a vital role in the governance of the association. Representation on the Executive Committee was increased to three, a vice president position was opened to a business member, but business members were limited to sharing equally with the public sector in allotted positions, but not the chairmanship of APTA.
When Bill Millar announced his retirement, little did anyone think that a new president would be drawn from within APTA and certainly, in no way a member of the BMBG. After all the years of resisting business members from sharing in the governing structure of APTA, they made a giant leap and drew from the ranks of the BMBG business members by selecting Michael Melaniphy for the top position of APTA.
A remarkable achievement has been made by business members, but APTA is still the major public transportation association representing all public transportation agencies throughout the United States. Transit manufacturers, suppliers, consultants, and public transportation supporters are for good reason openly welcomed to APTA and encouraged to become fully involved. The position of president of APTA is a bonus that was never dreamed of.
Seeing a canine passenger on mass transit is not uncommon, but the reasons why a dog might catch the train or hop a bus are varied (remember Eclipse, the Seattle Lab mix that uses the bus, often on her own, to get to the dog park?). Most public transit pooches are working —as K-9 officers or service animals. In the Philadelphia region, other animals — in approved carriers only—are permitted to ride the Southeastern Pennsylvania Transportation Authority’s buses, trains and trolleys. However, a new pilot program underway by SEPTA allows registered therapy dogs volunteering at two Philadelphia hospitals to use two designated bus routes to travel to their sites.
To be sure, there is no substitute for offering high-quality bus or rail transit service, but many transit agencies skimp when it comes to marketing, outreach, and education and, as a result, the public often has no idea how good the service may actually be. Buses also have an image problem in many communities, which proper marketing could help address. Witness the huge sums spent by automakers in crafting the image of their automobiles.
The Uber website proudly states that, “Uber is evolving the way the world moves. By seamlessly connecting riders to drivers through our apps, we make cities more accessible, opening up more possibilities for riders and more business for drivers. From our founding in 2009 to our launches in over 200 cities today, Uber's rapidly expanding global presence continues to bring people and their cities closer.” Such hype is common on corporate websites, but when the braggadocio is backed up by an article in the Wall Street Journal that discloses a valuation of $41 billion their ambitious words take on relevance.
As the world changes with the rapid advancement of connected devices and technologies, so must the transportation industry. In a business area where change is sluggish, DOTs across the country must adapt quickly to the evolving technologies that are going to impact their operations and budget. There are at least three technologies that will have immense impact over the next two decades on how we travel and how state transportation departments react to provide mobility — connectedness, big data and automation.
Around the world, artwork of all forms adorns transportation centers, stations and bus shelters. While many of these statues, paintings, mosaics and sculptures are permanently installed as part of a station’s architecture, transportation organizations can use their spaces for art exhibitions that not only make transit hubs more aesthetically pleasing for commuters, but also inspire budding artists. The Southeastern Pennsylvania Transportation Authority (SEPTA) recently partnered with two organizations to showcase the artistic talent of youth from the Greater Philadelphia region and around the world.